How does one interpret (or write) scientific pitch notation with accidentals when it crosses octave...
Given C♭♭4, for example, is that enharmonic with B♭3 (because you start at C4 and flat it twice) or B♭4 (because octave number 4 means octave number 4)?
Asked another way, how do you write the note below in scientific pitch notation?
I'm just wondering from a theoretical perspective.
theory accidentals pitch
edited 36 secs ago
Richard
39.7k689172
asked 5 hours ago
trwtrw
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add a comment |
Given C♭♭4, for example, is that enharmonic with B♭3 (because you start at C4 and flat it twice) or B♭4 (because octave number 4 means octave number 4)?
Asked another way, how do you write the note below in scientific pitch notation?
I'm just wondering from a theoretical perspective.
theory accidentals pitch
edited 36 secs ago
Richard
39.7k689172
asked 5 hours ago
trwtrw
2,037822
add a comment |
Given C♭♭4, for example, is that enharmonic with B♭3 (because you start at C4 and flat it twice) or B♭4 (because octave number 4 means octave number 4)?
Asked another way, how do you write the note below in scientific pitch notation?
I'm just wondering from a theoretical perspective.
theory accidentals pitch
edited 36 secs ago
Richard
39.7k689172
asked 5 hours ago
trwtrw
2,037822
Given C♭♭4, for example, is that enharmonic with B♭3 (because you start at C4 and flat it twice) or B♭4 (because octave number 4 means octave number 4)?
Asked another way, how do you write the note below in scientific pitch notation?
I'm just wondering from a theoretical perspective.
theory accidentals pitch
theory accidentals pitch
edited 36 secs ago
Richard
39.7k689172
asked 5 hours ago
trwtrw
2,037822
edited 36 secs ago
Richard
39.7k689172
asked 5 hours ago
trwtrw
2,037822
edited 36 secs ago
Richard
39.7k689172
edited 36 secs ago
Richard
39.7k689172
edited 36 secs ago
Richard
39.7k689172
39.7k689172
asked 5 hours ago
trwtrw
2,037822
asked 5 hours ago
trwtrw
2,037822
asked 5 hours ago
trwtrw
2,037822
2,037822
add a comment |
add a comment |
1 Answer
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Follow the note name. Add accidentals later.
Begin by acknowledging that this pitch is some type of C4. Then add accidentals to show that it's C♭♭4.
This is a little strange, because (as you say) C♭♭4 is lower than B3. But that's no more odd than saying any C♭♭ is lower than its nearest B.
And the same is of course true going the other way: B♯3, despite being enharmonic to C4, is nevertheless identified in the "3" register.
answered 5 hours ago
RichardRichard
39.7k689172
1
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
5 hours ago
2
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
4 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
4 hours ago
add a comment |
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1 Answer
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1 Answer
1
active
oldest
votes
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oldest
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active
oldest
votes
Follow the note name. Add accidentals later.
Begin by acknowledging that this pitch is some type of C4. Then add accidentals to show that it's C♭♭4.
This is a little strange, because (as you say) C♭♭4 is lower than B3. But that's no more odd than saying any C♭♭ is lower than its nearest B.
And the same is of course true going the other way: B♯3, despite being enharmonic to C4, is nevertheless identified in the "3" register.
answered 5 hours ago
RichardRichard
39.7k689172
1
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
5 hours ago
2
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
4 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
4 hours ago
add a comment |
Follow the note name. Add accidentals later.
Begin by acknowledging that this pitch is some type of C4. Then add accidentals to show that it's C♭♭4.
This is a little strange, because (as you say) C♭♭4 is lower than B3. But that's no more odd than saying any C♭♭ is lower than its nearest B.
And the same is of course true going the other way: B♯3, despite being enharmonic to C4, is nevertheless identified in the "3" register.
answered 5 hours ago
RichardRichard
39.7k689172
1
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
5 hours ago
2
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
4 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
4 hours ago
add a comment |
Follow the note name. Add accidentals later.
Begin by acknowledging that this pitch is some type of C4. Then add accidentals to show that it's C♭♭4.
This is a little strange, because (as you say) C♭♭4 is lower than B3. But that's no more odd than saying any C♭♭ is lower than its nearest B.
And the same is of course true going the other way: B♯3, despite being enharmonic to C4, is nevertheless identified in the "3" register.
answered 5 hours ago
RichardRichard
39.7k689172
Follow the note name. Add accidentals later.
Begin by acknowledging that this pitch is some type of C4. Then add accidentals to show that it's C♭♭4.
This is a little strange, because (as you say) C♭♭4 is lower than B3. But that's no more odd than saying any C♭♭ is lower than its nearest B.
And the same is of course true going the other way: B♯3, despite being enharmonic to C4, is nevertheless identified in the "3" register.
answered 5 hours ago
RichardRichard
39.7k689172
answered 5 hours ago
RichardRichard
39.7k689172
answered 5 hours ago
RichardRichard
39.7k689172
answered 5 hours ago
RichardRichard
39.7k689172
39.7k689172
1
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
5 hours ago
2
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
4 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
4 hours ago
add a comment |
1
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
5 hours ago
2
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
4 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
4 hours ago
1
1
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
5 hours ago
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
5 hours ago
2
2
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
4 hours ago
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
4 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
4 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
4 hours ago
add a comment |
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